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(American, 1852 - 1919)

Springtime

ca. 1890-1910
6 3/4 × 6 in. (17.1 × 15.2 cm)
2016.11.31
Richard M. Scaife Bequest, 2015
On view
This diminutive painting is precisely the type of quick study an American Impressionist such as J. Alden Weir would make out in the field. Portable easels, pre-mixed paints, and an array of brushes could easily be packed up and carried—along with an umbrella and camp stool for comfort—for a day of plein air painting. Weir frequently did this type of painting in Connecticut, where he worked at the Cos Cob art colony and later around his own home in Ridgefield. Weir captured the fresh green fields and new leaves in combination with the coral and lavender atmospheric effects for a small remembrance of the dazzling, although brief, appearance of spring.
The Road to Nod
Julian Alden Weir
ca. 1889-1899
Misty Landscape
Julian Alden Weir
ca. 1890-1910
Roses and Lilacs
Julian Alden Weir
ca. 1880
Cliffwalk, Newport
John Frederick Kensett
1871
Narragansett Bay
Worthington Whittredge
ca. 1880
View Near Spouting Rock
Albert Bierstadt
ca. 1857-1858
Ten Dollar Bill with Saratoga Racing Form
Nicholas Alden Brooks
ca. 1880
John Innis Clark Hare
Julian Story
1903
The War Letter
N.C. Wyeth
1944
Public Health and Morale
N.C. Wyeth
ca. 1943