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Plate #19 | Here tangled in another loop | Are Wampuses of both Sexes; | And right behind the Chick-a-hoop | With circus stunts the mind perplexes.
Plate #19 | Here tangled in another loop | Are Wampuses of both Sexes; | And right behind the Chick-a-hoop | With circus stunts the mind perplexes.
Plate #19 | Here tangled in another loop | Are Wampuses of both Sexes; | And right behind the Chick-a-hoop | With circus stunts the mind perplexes.
(American, 1872 - 1938)

Plate #19 | Here tangled in another loop | Are Wampuses of both Sexes; | And right behind the Chick-a-hoop | With circus stunts the mind perplexes.

Watercolor and ink on illustration board
ca. 1915
11 1/8 × 14 1/8 in. (28.3 × 35.9 cm)
2005.15.19
Dedicated to the memory of Eleanore Shannon Scoville Wells, daughter of Royal Lacy Scoville, gift of Jonathan Godfrey Wells III and Peter Scoville Wells Sr., 2005
Not on view
Plate #30 | Now for another pang acute | Of flight perchance we should bethink us | For here's the husky Hipponoot | Conspiring with the Whirl-o-dinkus.
Plate #30 | Now for another pang acute | Of flight perchance we should bethink us | For here's the husky Hipponoot | Conspiring with the Whirl-o-dinkus.
Royal Lacey Scoville
ca. 1915
Plate #36 | Here Cary-at-ides obese, uphold, | (This way they earn their boodle) | A beast of most ungainly mold, | The gentle, twisted Por-cun-oodle.
Plate #36 | Here Cary-at-ides obese, uphold, | (This way they earn their boodle) | A beast of most ungainly mold, | The gentle, twisted Por-cun-oodle.
Royal Lacey Scoville
ca. 1915
Plate #29 | In quick succession comes a group | Of Yammies straight from Yam-a-moto | The Foozlewugs, the Roll-a-hoop | And last of all the William-gotoe.
Plate #29 | In quick succession comes a group | Of Yammies straight from Yam-a-moto | The Foozlewugs, the Roll-a-hoop | And last of all the William-gotoe.
Royal Lacey Scoville
ca. 1915
Plate #21 | Here Tompkins hastens to implore | A moment's mercy and compassion | Since he beholds the Checkery Bore | Advance, roped up in corkscrew fashion.
Plate #21 | Here Tompkins hastens to implore | A moment's mercy and compassion | Since he beholds the Checkery Bore | Advance, roped up in corkscrew fashion.
Royal Lacey Scoville
ca. 1915
Plate #9 | And here like proud aristocrats | Whose names are always in the papers, | A pair of snoopy Dingle-bats | Indulge in their vain-glorious capers.
Plate #9 | And here like proud aristocrats | Whose names are always in the papers, | A pair of snoopy Dingle-bats | Indulge in their vain-glorious capers.
Royal Lacey Scoville
ca. 1915
Plate #26 | Here laboring to wheel across | His bright young Hopeful in a barrow | We see the stern Sham-poot-er-os, | To tell whose deeds would freeze your marrow.
Plate #26 | Here laboring to wheel across | His bright young Hopeful in a barrow | We see the stern Sham-poot-er-os, | To tell whose deeds would freeze your marrow.
Royal Lacey Scoville
ca. 1915
Plate #20 | And look at these hot sports, All three | Are hummers - we might call them Whoopers. | 'Tis evident that they must be | The swift Se-wick-leyian - Loop-the-loopers.
Plate #20 | And look at these hot sports, All three | Are hummers - we might call them Whoopers. | 'Tis evident that they must be | The swift Se-wick-leyian - Loop-the-loopers.
Royal Lacey Scoville
ca. 1915
Plate #1 | While nodding in his hard old chair | Tom Tompkins had a dream most shocking. | The Wizard Tumblebug came there | And frightened him with laughter mocking.
Plate #1 | While nodding in his hard old chair | Tom Tompkins had a dream most shocking. | The Wizard Tumblebug came there | And frightened him with laughter mocking.
Royal Lacey Scoville
ca. 1915
Plate #5 | Another coil enclosed the frame | Of one who danced a queer fandango, | A freak that always signs her name | Like this; Ma'm'selle Oran-go-Tango.
Plate #5 | Another coil enclosed the frame | Of one who danced a queer fandango, | A freak that always signs her name | Like this; Ma'm'selle Oran-go-Tango.
Royal Lacey Scoville
ca. 1915
Plate #32 | Note, as these soldiers onward trot, | The Tortopoise keeps backward facing | While Nantipus and Mrs. Lot | Both follow suit in style debasing.
Plate #32 | Note, as these soldiers onward trot, | The Tortopoise keeps backward facing | While Nantipus and Mrs. Lot | Both follow suit in style debasing.
Royal Lacey Scoville
ca. 1915
"They fought with him on foot more than three hours, both before him and behind him"
"They fought with him on foot more than three hours, both before him and behind him"
N.C. Wyeth
1917
Plate #37 | And fitly bringing up the rear | And spoiling for a fight, by jingo! - | We find the bird that all men fear | The Saw-toothed, Fan-tailed Casso-wingo.
Plate #37 | And fitly bringing up the rear | And spoiling for a fight, by jingo! - | We find the bird that all men fear | The Saw-toothed, Fan-tailed Casso-wingo.
Royal Lacey Scoville
ca. 1915