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Plate #5 | Another coil enclosed the frame | Of one who danced a queer fandango, | A freak that always signs her name | Like this; Ma'm'selle Oran-go-Tango.
Plate #5 | Another coil enclosed the frame | Of one who danced a queer fandango, | A freak that always signs her name | Like this; Ma'm'selle Oran-go-Tango.
Plate #5 | Another coil enclosed the frame | Of one who danced a queer fandango, | A freak that always signs her name | Like this; Ma'm'selle Oran-go-Tango.
(American, 1872 - 1938)

Plate #5 | Another coil enclosed the frame | Of one who danced a queer fandango, | A freak that always signs her name | Like this; Ma'm'selle Oran-go-Tango.

Watercolor and ink on illustration board
ca. 1915
11 1/8 × 14 1/8 in. (28.3 × 35.9 cm)
2005.15.5
Dedicated to the memory of Eleanore Shannon Scoville Wells, daughter of Royal Lacy Scoville, gift of Jonathan Godfrey Wells III and Peter Scoville Wells Sr., 2005
Not on view
Plate #9 | And here like proud aristocrats | Whose names are always in the papers, | A pair of snoopy Dingle-bats | Indulge in their vain-glorious capers.
Plate #9 | And here like proud aristocrats | Whose names are always in the papers, | A pair of snoopy Dingle-bats | Indulge in their vain-glorious capers.
Royal Lacey Scoville
ca. 1915
Plate #4 | Next, twisted in a snaky coil, | Prepared some jolly trick to trump up, | As ugly as an old gargoyle, | Appeared the Duck-billed Johnny-jump up.
Plate #4 | Next, twisted in a snaky coil, | Prepared some jolly trick to trump up, | As ugly as an old gargoyle, | Appeared the Duck-billed Johnny-jump up.
Royal Lacey Scoville
ca. 1915
His queer shabby clothes, his big stooping frame, his sad black eyes, absent almost to vacancy.
His queer shabby clothes, his big stooping frame, his sad black eyes, absent almost to vacancy.
N.C. Wyeth
1910
Plate #35 | What's this? Ah yes, who can forget | This brute of obstinacy mulish, | The Mo-non-go-halian Slith-e-ret | Whose attitude is always foolish!
Plate #35 | What's this? Ah yes, who can forget | This brute of obstinacy mulish, | The Mo-non-go-halian Slith-e-ret | Whose attitude is always foolish!
Royal Lacey Scoville
ca. 1915
Plate #30 | Now for another pang acute | Of flight perchance we should bethink us | For here's the husky Hipponoot | Conspiring with the Whirl-o-dinkus.
Plate #30 | Now for another pang acute | Of flight perchance we should bethink us | For here's the husky Hipponoot | Conspiring with the Whirl-o-dinkus.
Royal Lacey Scoville
ca. 1915
The children were always dirty, but they were healthy, and Mrs. Masso had a laugh that was good to hear
The children were always dirty, but they were healthy, and Mrs. Masso had a laugh that was good to hear
John Sloan
1912
Mr. Rankeillor, the Lawyer Here he sate down, and bade me be seated
Mr. Rankeillor, the Lawyer
Here he sate down, and bade me be seated
N.C. Wyeth
1913
Courtesy of The Illustration Gallery
The father kept the children near him, but always young Olaf looked with tragic eyes toward the slope where Padfoot waited.
N.C. Wyeth
1923
Jerrine was always such a dear little pal
Jerrine was always such a dear little pal
N.C. Wyeth
1914
Plate #18 | This animal which has no feet | (A stroke of genius, not an error), | The wild, voracious Jam-bo-reet, | Always inspires the utmost terror.
Plate #18 | This animal which has no feet | (A stroke of genius, not an error), | The wild, voracious Jam-bo-reet, | Always inspires the utmost terror.
Royal Lacey Scoville
ca. 1915
Mr. Fenby always sat with his wife after supper
Mr. Fenby always sat with his wife after supper
N.C. Wyeth
1915
"I See at Last Why It is Always the Western Man and the Eastern Girl Who Fall in Love--in the Novels"
"I See at Last Why It is Always the Western Man and the Eastern Girl Who Fall in Love--in the Novels"
N.C. Wyeth
1910