Skip to main content
Plate #18 | This animal which has no feet | (A stroke of genius, not an error), | The wild, voracious Jam-bo-reet, | Always inspires the utmost terror.
Plate #18 | This animal which has no feet | (A stroke of genius, not an error), | The wild, voracious Jam-bo-reet, | Always inspires the utmost terror.
Plate #18 | This animal which has no feet | (A stroke of genius, not an error), | The wild, voracious Jam-bo-reet, | Always inspires the utmost terror.
(American, 1872 - 1938)

Plate #18 | This animal which has no feet | (A stroke of genius, not an error), | The wild, voracious Jam-bo-reet, | Always inspires the utmost terror.

Watercolor and ink on illustration board
ca. 1915
11 1/8 × 14 1/8 in. (28.3 × 35.9 cm)
2005.15.18
Dedicated to the memory of Eleanore Shannon Scoville Wells, daughter of Royal Lacy Scoville, gift of Jonathan Godfrey Wells III and Peter Scoville Wells Sr., 2005
Not on view
Plate #9 | And here like proud aristocrats | Whose names are always in the papers, | A pair of snoopy Dingle-bats | Indulge in their vain-glorious capers.
Plate #9 | And here like proud aristocrats | Whose names are always in the papers, | A pair of snoopy Dingle-bats | Indulge in their vain-glorious capers.
Royal Lacey Scoville
ca. 1915
Plate #35 | What's this? Ah yes, who can forget | This brute of obstinacy mulish, | The Mo-non-go-halian Slith-e-ret | Whose attitude is always foolish!
Plate #35 | What's this? Ah yes, who can forget | This brute of obstinacy mulish, | The Mo-non-go-halian Slith-e-ret | Whose attitude is always foolish!
Royal Lacey Scoville
ca. 1915
Plate #5 | Another coil enclosed the frame | Of one who danced a queer fandango, | A freak that always signs her name | Like this; Ma'm'selle Oran-go-Tango.
Plate #5 | Another coil enclosed the frame | Of one who danced a queer fandango, | A freak that always signs her name | Like this; Ma'm'selle Oran-go-Tango.
Royal Lacey Scoville
ca. 1915
Plate #17 | Next all tied up and fierce to view | (Observe the way his head he tosses) | We have the Chinese Spot-a-roo, | Which feeds on mandarins and josses.
Plate #17 | Next all tied up and fierce to view | (Observe the way his head he tosses) | We have the Chinese Spot-a-roo, | Which feeds on mandarins and josses.
Royal Lacey Scoville
ca. 1915
Plate #22 | But all in vain. It is no use | Still more to suffer he is fated. | On comes the cheerful Giggleoose, | Which laughs at every thing created.
Plate #22 | But all in vain. It is no use | Still more to suffer he is fated. | On comes the cheerful Giggleoose, | Which laughs at every thing created.
Royal Lacey Scoville
ca. 1915
Plate #11 | And this uncanny object which | Strives awkwardly along to potter | Is Russian. 'Tis the Dot-sko-vich, | Which in plain English means the Dotter.
Plate #11 | And this uncanny object which | Strives awkwardly along to potter | Is Russian. 'Tis the Dot-sko-vich, | Which in plain English means the Dotter.
Royal Lacey Scoville
ca. 1915
Plate #2 | Poor Tom began to whine and shake | When with his spells the Wizard bound him | And set on him a monstrous snake | Which coiled its ugly self around him.
Plate #2 | Poor Tom began to whine and shake | When with his spells the Wizard bound him | And set on him a monstrous snake | Which coiled its ugly self around him.
Royal Lacey Scoville
ca. 1915
Plate #6 | The burly brute of vicious breed | Which follows is not hard to label. | It is the Wall-eyed Hex-a-pede | With legs from someone's parlor table.
Plate #6 | The burly brute of vicious breed | Which follows is not hard to label. | It is the Wall-eyed Hex-a-pede | With legs from someone's parlor table.
Royal Lacey Scoville
ca. 1915
Plate #7 | Next with his throat within a noose | (Let's hope that it will choke him later) | Appears without the least excuse | The sanguinary Growl-i-gator.
Plate #7 | Next with his throat within a noose | (Let's hope that it will choke him later) | Appears without the least excuse | The sanguinary Growl-i-gator.
Royal Lacey Scoville
ca. 1915
Plate #8 | Behind him, skipping on its toes, | (Please do not ask me where its face is) | The Polynesian Wig-wag shows | A ballet dancer's airs and graces.
Plate #8 | Behind him, skipping on its toes, | (Please do not ask me where its face is) | The Polynesian Wig-wag shows | A ballet dancer's airs and graces.
Royal Lacey Scoville
ca. 1915
Plate #34 | And even those whose nerves are strong | Must heave a groan when, darkly scowling, | The Quad-ri-wheeleon rolls along | And splits the welkin with his howling.
Plate #34 | And even those whose nerves are strong | Must heave a groan when, darkly scowling, | The Quad-ri-wheeleon rolls along | And splits the welkin with his howling.
Royal Lacey Scoville
ca. 1915
Plate #12 | From Mexico the next one hails. | 'Tis next of kin to General Villa. | Along with him in tragic tales | 'Tis mentioned as the Valentilla.
Plate #12 | From Mexico the next one hails. | 'Tis next of kin to General Villa. | Along with him in tragic tales | 'Tis mentioned as the Valentilla.
Royal Lacey Scoville
ca. 1915