Skip to main content
Dooryard, White Cosmos
Dooryard, White Cosmos
Dooryard, White Cosmos
John W. McCoy
(American, 1910 - 1989)

Dooryard, White Cosmos

1967
26 × 44 7/8 in. (66 × 114 cm)
80.3.20
© John W. McCoy Estate
Gift of Amanda K. Berls, 1980

John W. McCoy received his Bachelors of Fine Arts from Cornell University and studied at the American School in Fontainebleau, France, as well as at the Pennsylvania Academy of the Fine Arts. McCoy credited N.C. Wyeth with being his most inspirational and influential teacher. Starting in 1933, McCoy and Andrew Wyeth took lessons together from the elder Wyeth until the two students found their preferences in subject matter began to differ too much for joint sessions to be productive. McCoy became an official member of the Wyeth family in 1935 when he married N.C. Wyeth’s daughter Ann.

From N.C. Wyeth, McCoy learned that in order to paint a scene or activity well, one must first experience it. His depictions of still lifes and scenes of nature are executed in a moody and more abstract style than those by his famous brother-in-law Andrew Wyeth and have earned McCoy national recognition. Dooryard, White Cosmos is exemplary of McCoy’s style and techniques, a pensive and somewhat gloomy composition creating a sense of contemplation.

Not On View
Song of the Brook, No. 7
Joseph Boggs Beale
1902-1903
Song of the Brook, No. 9
Joseph Boggs Beale
1902-1903
Landscape on Pond
Henry Pember Smith
late 19th century
The Sinking of the Yawl Boat
Frank E. Schoonover
1899
Seabed
Andrew Wyeth
1972
Brandywine Idyll
Andrew Wyeth
1940
Hog Pen
Andrew Wyeth
1944
Primitive River
Andrew Wyeth
1940
Indian Summer
Andrew Wyeth
1970
Children's Doctor
Andrew Wyeth
1949