Death of Edwin
In preparation for this commission, Wyeth read an undated edition of The Scottish Chiefs published by Thomas D. Crowell Company, New York, and illustrated with photographs of Scottish scenery (Brandywine River Museum of Art, NCWS.95.184). He also had in the reference library in his studio the eight volumes of Scottish Highlands, Highland Clans and Highland Regiments published by Fullerton & Co. of Edinburgh (BRMA, NCWS.95.232.1-.8).
The Scottish Chiefs is a novel set in late 13th and early 14th centuries during the revolt of Scottish nobility against the rule of Edward I of England. In this second to the last illustration, William Wallace, the leader of the rebellion and hero of Porter’s story, stands over the body of his beloved companion Edwin Ruthven after both were betrayed by the treacherous Sir John Monteith. The sight of the young and faithful Edwin, shot in the breast by Monteith’s men, so stuns Wallace he can no longer resist capture (and certain death) at the hands of his English enemies.
Few more important lessons were imparted by Howard Pyle than the ability to construct a dramatic scene. One technique Pyle recommended was the use of deep shadow contrasted with bright light, and Wyeth became a master of this particular device. In this painting, Wyeth illuminated the slain Edwin with a blast of cold, silvery moonlight; it spreads out halo-like around his head and visually reinforces Wallace’s earlier reference to "that angel youth." The young man represented "truth, manhood, and nobleness" and the dramatic lighting elevates his character to an even higher plane. The darkness of the painting holds the menace of Monteith’s men, clearly felt, if not clearly distinguished.
