Artist:
John La Farge
(American, 1835 - 1910)
Fountain in Our Garden at Nikko
Medium: Oil on wood panel
Date: 1886
Dimensions:
11 3/4 × 9 3/4 in. (29.8 × 24.8 cm)
Accession number: 2016.11.17
Label Copy:
In this small painting, John La Farge reveals his intense interest in Asian art, through both subject matter and composition. It displays his expert knowledge of color, gathered through his work in stained glass and study of French academic and English Pre-Raphaelite painting.
As an avid and early collector of Japanese prints—La Farge’s wife, Margaret Mason Perry, was the grand-niece of Commander Matthew G Perry, who played a major role in initiating trade with Japan in 1854—La Farge absorbed and appreciated Asian cultures and aesthetics. On his first visit to Japan in 1886 he recorded this view of a garden fountain in Nikko, the town in which he and traveling companion Henry Adams spent six weeks. His journey to Japan and the South Pacific formed the basis for a series of illustrated articles for Century Magazine (1890-93) and later his book An Artist’s Letters from Japan (1897).
In this small painting, John La Farge reveals his intense interest in Asian art, through both subject matter and composition. It displays his expert knowledge of color, gathered through his work in stained glass and study of French academic and English Pre-Raphaelite painting.
As an avid and early collector of Japanese prints—La Farge’s wife, Margaret Mason Perry, was the grand-niece of Commander Matthew G Perry, who played a major role in initiating trade with Japan in 1854—La Farge absorbed and appreciated Asian cultures and aesthetics. On his first visit to Japan in 1886 he recorded this view of a garden fountain in Nikko, the town in which he and traveling companion Henry Adams spent six weeks. His journey to Japan and the South Pacific formed the basis for a series of illustrated articles for Century Magazine (1890-93) and later his book An Artist’s Letters from Japan (1897).
Curatorial RemarksIn these two small paintings, John La Farge reveals his intense interest in Asian art, through both subject matter and composition. Each also displays his expert knowledge of color, gathered through his work in stained glass and study of French academic and English Pre-Raphaelite painting. In the earlier work, the sun-dappled field brilliantly draws the eye with a deft combination of bright colors to replicate the dazzling effect of the sun. Composed in a distinctly non-Western manner, the tree trunk at the right is dominant despite its severe cropping. The high horizon line places the viewer low to the ground, for close examination of the irises that press against the picture plane. As an avid and early collector of Japanese prints—La Farge’s wife Margaret Mason Perry was the grand-niece of Commander Matthew G. Perry, who played a major role in initiating trade with Japan in 1854—La Farge absorbed and appreciated Asian cultures and aesthetics. On his first visit to Japan in 1886 he recorded this view of a garden fountain in Nikko, the town in which he and traveling companion Henry Adams spent six weeks. His journey to Japan and the South Pacific formed the basis for a series of illustrated articles for Century Magazine (1890-93) and later his book An Artist’s Letters from Japan (1897).