Artist:
James Welling
(American, b. 1951)
Olson House in Snow
Medium: Archival inkjet print on rag paper
Date: 2010
Dimensions:
27 7/8 × 42 in. (70.8 × 106.7 cm)
Accession number: 2016.3.7
Copyright: © James Welling
Label Copy:
In 2010, Los Angeles-based artist James Welling began taking a series of color photographs inspired by the painter Andrew Wyeth. Welling started the Wyeth series as an examination of the artist’s influence on his own career. This project represents one artist entering the creative mind of another artist. Welling was fascinated and challenged by what he saw in Wyeth’s work.
In order to experience the physicality of Wyeth’s world, Welling went on location in Pennsylvania and Maine and photographed in the same areas where Wyeth painted throughout his life. His goal was not to make a literal record of these subjects, but rather to reference aspects of Wyeth’s style, technique and palette. Welling’s investigations led him to a greater understanding of the degree of painterly license found in many of Andrew Wyeth’s works. In response, Welling digitally manipulated elements of many of his photographs in the studio in order to capture the moods and atmosphere of Wyeth’s paintings.
When Welling broke his foot before a trip to Maine, he used older digital files from Maine plus other photographs he had to manipulate elements and create his own version of "Christina’s World" (1948, Museum of Modern Art). He went further with this kind of digital collage and made "Olson House in Snow" by adding snow from another file to an existing photograph of the Olson House.
In 2010, Los Angeles-based artist James Welling began taking a series of color photographs inspired by the painter Andrew Wyeth. Welling started the Wyeth series as an examination of the artist’s influence on his own career. This project represents one artist entering the creative mind of another artist. Welling was fascinated and challenged by what he saw in Wyeth’s work.
In order to experience the physicality of Wyeth’s world, Welling went on location in Pennsylvania and Maine and photographed in the same areas where Wyeth painted throughout his life. His goal was not to make a literal record of these subjects, but rather to reference aspects of Wyeth’s style, technique and palette. Welling’s investigations led him to a greater understanding of the degree of painterly license found in many of Andrew Wyeth’s works. In response, Welling digitally manipulated elements of many of his photographs in the studio in order to capture the moods and atmosphere of Wyeth’s paintings.
When Welling broke his foot before a trip to Maine, he used older digital files from Maine plus other photographs he had to manipulate elements and create his own version of "Christina’s World" (1948, Museum of Modern Art). He went further with this kind of digital collage and made "Olson House in Snow" by adding snow from another file to an existing photograph of the Olson House.