Hooks (Hook 1-6)

In 2010, Los Angeles-based artist James Welling began taking a series of color photographs inspired by the painter Andrew Wyeth. Welling started the Wyeth series as an examination of the artist’s influence on his own career. This project represents one artist entering the creative mind of another artist. Welling was fascinated and challenged by what he saw in Wyeth’s work.

In order to experience the physicality of Wyeth’s world, Welling went on location in Pennsylvania and Maine and photographed in the same areas where Wyeth painted throughout his life. His goal was not to make a literal record of these subjects, but rather to reference aspects of Wyeth’s style, technique and palette. Welling’s investigations led him to a greater understanding of the degree of painterly license found in many of Andrew Wyeth’s works. In response, Welling digitally manipulated elements of many of his photographs in the studio in order to capture the moods and atmosphere of Wyeth’s paintings.

Welling photographed this threatening feature of the Kuerner farm, home to Wyeth’s friends Anna and Karl Kuerner. In a third-floor attic room these hooks were once used to string laundry lines and age sausage. The hooks feature prominently in Wyeth’s portrait "Karl" (1948, private collection).