Artist:
N.C. Wyeth
(American, 1882 - 1945)
So through the Plymouth woods passed onward the bridal procession
Alternate Title(s):The Wedding of John Alden and Priscilla
Medium: Oil on canvas
Date: 1920
Dimensions:
40 × 30 in. (101.6 × 76.2 cm)
Location unknown
Copyright, 1920, Houghton Mifflin Company
Accession number: SUPP2000.1133
Research Number: NCW: 1133
InscribedLower right: N. C. WYETH
ProvenanceHotel Roosevelt, New York, NY, by 1926; (Sotheby Park Bernet Inc., New York, NY, Dec. 10, 1981, lot no. 212)
References
"The Wooing of Priscilla," The Mentor, vol. 14, no. 6 (July 1926), as "The Wedding of John Alden and Priscilla"; Douglas Allen and Douglas Allen, Jr., N. C. Wyeth, The Collected Paintings, Illustrations and Murals (New York: Crown Publishers, 1972), p. 211; Christine B. Podmaniczky, N. C. Wyeth, A Catalogue Raisonné of Paintings (London: Scala, 2008), I.805, p. 401
Curatorial RemarksThe Brandywine River Museum of Art owns the copy of Houghton Mifflin's 1913 edition of The Courtship of Miles Standish, Elizabeth and other Poems by Henry Wadsworth Longfellow (NCWS.95.211) which NCW read and marked as he chose his illustrative program. The copy is illustrated with engravings after an unidentified artist which seem to have furnished Wyeth with some inspiration.
"..."The Heart of the Puritan" compiled by Miss Hanscom of Smith College is a valuable collection of letters and journals which will add greatly to my mental background in working up the Miles Standish pictures." (NCW to "Babe," Jan. 14, 1920, WFA)
In his introduction to the edition, the poet's son (and painter) Ernest W. Longfellow wrote, "Mr. Wyeth's illustrations seem to me--and I doubt not that they would have seemed to my father--admirable all through in their richness of color and their unconventional treatment, coupled with their many evidences of the closest study of the period."
In 1941, the artist reworked the composition of the central figures for the Metropolitan Life Insurance mural The Wedding Procession (NCW 451).
"..."The Heart of the Puritan" compiled by Miss Hanscom of Smith College is a valuable collection of letters and journals which will add greatly to my mental background in working up the Miles Standish pictures." (NCW to "Babe," Jan. 14, 1920, WFA)
In his introduction to the edition, the poet's son (and painter) Ernest W. Longfellow wrote, "Mr. Wyeth's illustrations seem to me--and I doubt not that they would have seemed to my father--admirable all through in their richness of color and their unconventional treatment, coupled with their many evidences of the closest study of the period."
In 1941, the artist reworked the composition of the central figures for the Metropolitan Life Insurance mural The Wedding Procession (NCW 451).
Image Source for printed Catalogue Raisonne:digital photography from print source (Brandywine River Museum Library, tear sheet)
Photo Credit:web: BRM staff; hardcover: Rick Echelmeyer