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Brandywine Museum of Art
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N. C. Wyeth Catalogue Raisonné
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Religious Paintings
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Religious Paintings
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Age grows calculating, but youth is spendthrift in its generosity. Even if the boy trudged home hungry, he intended that Jesus should be fed. He gave his evening meal to the Master
N.C. Wyeth
1929
The Assyrians had camped on the plains beyond the walls, and the whole city was paralyzed with fear. Only Isaiah was unterrified. In majestic calm he stood and hurled his defiance at the enemy
N.C. Wyeth
1929
The Barren Fig Tree
N.C. Wyeth
1923
Behind Them Streamed the Mingled Traffic of a Road that Led to a Great City
N.C. Wyeth
1912
The Blind Leading the Blind
N.C. Wyeth
ca. 1926 / 1927
The books that are written about Him as the Son of God almost forget that His favorite title for Himself was the Son of Man.
N.C. Wyeth
1924
The boy, Moses, clad in princely garments, witnessed the bitter suffering of his people at the hands of the Egyptian taskmasters. As he grew in years he became increasingly conscious of his kinship with the oppressed and exploited workers
N.C. Wyeth
1928
A boy spoke. "The camels the wise men rode -- what color were they?" Jesus smiled, remembering that this was the question he, himself, had asked in Nazareth
N.C. Wyeth
1931
The Child "Whosoever shall receive this child in my name receiveth me: and whosoever shall receive me receiveth him that sent me: for he that is least among you all, the same shall be great." --Luke 9 : 48.
N.C. Wyeth
1923
Composition drawing for center panel of reredos (Christ figure), Chapel of the Holy Spirit, Washington National Cathedral
N.C. Wyeth
1933-34
design for center panel of reredos, Chapel of the Holy Spirit, Washington National Cathedral
N.C. Wyeth
1934
Design for left panel of reredos, Chapel of the Holy Spirit, Washington National Cathedral
N.C. Wyeth
1934
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