Artist:
Horace Pippin
(American, 1888 - 1946)
Saying Prayers
Medium: Oil on canvas
Date: 1943
Dimensions:
16 × 20 1/8 in. (40.6 × 51.1 cm)
Accession number: 80.4
Label Copy:
Horace Pippin is one of the most important twentieth-century African American artists. Self-taught, Pippin lost much of the use of his right arm while serving in France during World War I. Upon his return to America, he created burnt-wood panels and oil paintings in his home in West Chester, Pennsylvania. Domestic scenes, including Saying Prayers, were among the most popular works by Pippin in his lifetime. These intimate family moments in an African American home, often around the stove or hearth, reflect Pippin’s nostalgia for his own childhood—a theme that touched many in the troubled times between the world wars. Pippin creates strong emotion through simple shapes and color. The painting features a mother and her two children sharing an evening ritual. Accents of red, white, and green enliven the primarily black, brown, and gray scene.
Pippin rose to prominence through such well-connected Pennsylvania friends as artist N.C. Wyeth, critic Christian Brinton, and collector Albert Barnes. Pippin was among the initial group of self-taught artists included in the Museum of Modern Art’s early exhibitions of the genre in 1938 and 1942.
Horace Pippin is one of the most important twentieth-century African American artists. Self-taught, Pippin lost much of the use of his right arm while serving in France during World War I. Upon his return to America, he created burnt-wood panels and oil paintings in his home in West Chester, Pennsylvania. Domestic scenes, including Saying Prayers, were among the most popular works by Pippin in his lifetime. These intimate family moments in an African American home, often around the stove or hearth, reflect Pippin’s nostalgia for his own childhood—a theme that touched many in the troubled times between the world wars. Pippin creates strong emotion through simple shapes and color. The painting features a mother and her two children sharing an evening ritual. Accents of red, white, and green enliven the primarily black, brown, and gray scene.
Pippin rose to prominence through such well-connected Pennsylvania friends as artist N.C. Wyeth, critic Christian Brinton, and collector Albert Barnes. Pippin was among the initial group of self-taught artists included in the Museum of Modern Art’s early exhibitions of the genre in 1938 and 1942.
Curatorial RemarksHorace Pippin is one of the most important twentieth-century African-American artists. Self-taught, Pippin lost much of the use of his right arm while serving in France during World War I. Upon his return to America, he created burnt-wood panels and oil paintings in his home in West Chester, Pennsylvania. His images of domestic life, historical and biblical subjects, and still lifes demonstrate his remarkable accomplishment despite the obstacles of poverty, lack of instruction, and physical disability. His work caught the eye of art critic Christian Brinton and artist N. C. Wyeth, both of whom encouraged Pippin to continue painting.
In "Saying Prayers," Pippin creates strong emotion through simple shapes and color. The painting features a mother and her two children sharing an evening ritual. Accents of red, white, and green enliven the primarily black, brown, and gray scene.
In "Saying Prayers," Pippin creates strong emotion through simple shapes and color. The painting features a mother and her two children sharing an evening ritual. Accents of red, white, and green enliven the primarily black, brown, and gray scene.
On view